Natalia M. Sylvester
Copywriter & Editor
512.814.8184
natalia@inkyclean.com

The Copywriter's Soapbox

What to Expect the First Time You Work with a Copywriter

There’s a point when every business goes from DIAY (Do It ALL Yourself) to Do What You Do Best and Get Help for the Rest of It (let’s not bother with the acronym for that one). This is actually a great thing. It means your business is growing and it’s working. But it can also be a scary thing for many business owners because it means you’ll have to trust others to help you keep the momentum going.

Oftentimes clients who’ve done their own writing for their website and marketing materials don’t know what to expect when they hand the job over to someone new. But I find they’re always pleasantly surprised not just by the finished product, but the entire process of working with a copywriter. Here are a few reasons why.

1. It all starts with you and your needs–A writer, like any other artist, has a vision for their work. But as a copywriter, I’m not writing for me. I’m writing for my clients. I’m bringing out their voice and speaking to their audience. Before I write anything for a project I take the time to talk to the client and get to know their company, their audience, and what message they’re trying to get across. The writing should never lose focus of these factors.

2. The client is still in control–Maybe you’ve gotten used to being the one in the driver’s seat, but wouldn’t it be nice to just tell someone where you want to go while relaxing in the passenger’s seat? When I work with a client, the direction I take is always determined by their needs. What’s the end goal for the copy? That’s where I’m headed. But the beauty of hiring someone else to get you there is that I might know some different routes. I might take a whole new approach to selling your product that’s fresh, invigorating, and more importantly, speaks to your audience.

3. Nothing is set in stone–If the first draft I send you just completely misses the mark, (which, to be honest, has never happened) that’s what revisions are for. I always include revisions in my fee because the most important part of the writing process is the shaping, and the molding, and the tweaking to get it just right. The client should have input because they’re the ones who need to be happy with the end result. Of course as the writer, I’ll have input as well (because isn’t that what you hired a writer for?). The key is to keep that line of communication open so that the work evolves in the best way possible.

Whose Voice is it Anyway? How to Capture a Client & Their Audience.

Having majored in Creative Writing in college, one of the things that always stuck with me was the way my professors talked about voice–probably because most admitted it’s the one thing you can’t teach. It’s something a writer develops on her own, and you may not know how you get it, where you get it from, or even when you finally have it. You just write a whole lot and then one day you realize you have a style, a voice, that’s truly your own.

Funny thing is, with copywriting, that voice is still so important. Only it’s not about me anymore. It doesn’t matter what my voice is (the voice I use when I write this blog, or poetry, or fiction) because great copywriters listen to their client’s voice and bring it out in their writing. Each company has a unique personality, a unique set of values and a mission that’s going to align them with their audience. Even if they’re not writers, the voice is still there because their brand is. It’s my job to use that brand to shape the tone and style I use in my writing.

Now the other funny thing is this: Not all companies realize they have this voice, and writers often need to search for it and pull it out. Or sometimes a company might be fairly new, so the challenge is to find the voice in the first place. In both cases they’re a lot like that young creative writer. Both need to look at themselves and find a way to stand out in a crowded world full of product launches and authors. Voice is so important because when it seems like everyone else is trying to say or sell the same thing, a distinct voice reminds us that this product, this company, this service, is different. This is one that gets us and that we can trust. This is one people remember.

Think of a crowded room where everyone’s yelling at you. Even if you’re able to hear a message amidst the chaos, will you know where it’s coming from? What if, in the middle of all of that, one person came up and leaned in to tell you something in a calm, collected manner, completely differently from everyone else? Would you remember them then?

Without a Clear Message, Words Become Text

You know the Wingdings font, the one that turns your letters into tiny symbols like diamonds, squares, ampersands and mailboxes? Can you imagine if websites, government forms, and instruction manuals were written in Wingdings? No one would ever understand them. The text would simply take up space but tell us nothing in return.

The good news is that no one really uses Wingdings. The bad news is that there’s writing all around us that might as well be written in Zodiac signs instead of letters. A couple of examples that come to mind include a web page written in “corporatese” and a bank letter written in “legalese.” We’ve all seen the kind of writing I’m talking about. It’s packed full of jargon and loses us with needlessly long, confusing sentence structure. Instead of getting to the point, it tries to impress readers with buzz words. At its worst, it obscures the truth.

I like to call this kind of writing text. Sure, there are letters there, and most times complete sentences, but as a whole the words fail to say something for one of two reasons. 1)No one will actually read it. They may start to, but upon realizing the message is hidden somewhere under all those letters they’ll put their attention and efforts elsewhere. 2) The few people who do read it won’t absorb the message (this is not in any way an insult to the reader’s intelligence, by the way).

If you’re worried that your writing is turning into text, it may be time to hire a copywriter. Nathaniel Hawthorne once said, “Easy reading is damn hard writing,” and he was right.

Our world is full of complexities–a doctor’s world and realm of knowledge is completely different from that of a botanist or an engineer. The biggest challenge we face when trying to communicate is that everyone is coming from a different place.

There needs to be a common language, a point of reference that everyone can understand. With the right words and a good amount of research, a writer can build a bridge between a complex message and the audience it needs to reach.

What My Dog Trainer Can Teach us About Writing

The things my dog trainer says sometimes is just genius in its simplicity. A couple of months ago (yeah, it’s just hitting me now) he told me that I shouldn’t repeat a cue word to my dog if it’s not resulting in the desired behavior. So basically, if I’m telling my Boston terrier, Maggie, “down” because I want her to lie down, and all she’s doing is licking my hand because she smells treats, I shouldn’t keep saying “down.” Why? Well, that’s where the genius comes in.

The more you say a word without the desired result, the more it loses its meaning. What’s worse, the repetition can cause it to take on new meaning.

Like maybe Maggie will associate “down” with licking my hand. Or maybe a poorly written slogan will turn off customers instead of impressing them. Maybe a call to action that doesn’t compel someone to sign up for a newsletter will just get glazed over.

Why, then, for the love of paws, should we keep repeating these words if they’re not getting us results we want? Saying that they sound nice, or that they’re clever and funny, is never an excuse. Neither is the fact that they’re already on every pen, notepad, t-shirt and baseball cap in your company.

The beauty of language is that there are a million ways to say one thing, and each way you say it can yield different results. So don’t fear a rewrite of your website or sales copy, especially if the current copy isn’t working. Words are useless if they’re not doing what you need them to do. But if they’re the right words, they can be extremely powerful.

Want Web Copy That’ll Make Visitors Stay? Don’t Say “Welcome!”

One of the most common mistakes I see on website copy is when the main headline says, “Welcome to our site!” I can definitely see the logic behind why someone would write this. After all, when someone visits your home in cyberspace it’s common to want to make them feel welcome there.

But here’s the thing. Welcome doesn’t cut it. Welcome is a lot like those mats that everyone has on their front door. Sure, visitors will read it, but then they’ll step right over it and wipe their feet on the word. So how do you really show someone they’re “welcome” when the word has lost its meaning?

Look beyond the word. Are you really trying to make someone feel welcome, or are you trying to make them feel like they’d want to stick around a bit? These are two very different things. You can tell guests staying at your home that they’re welcome to stay as long as they want and that you’re happy to have them any time. But if there’s no hot water, the beds are uncomfortable and they don’t have pillows, they probably won’t want to stay very long anyways.

So really, in your web copy, just as in a hotel or guesthouse, the best way to make visitors stick around is to show them what you have to offer. Switch that welcome mat out for a headline that tells them, right away, how your product or service can make their lives better. Show them the benefits of taking a look around. If visitors can’t quickly see the value of staying on your website, then that “welcome” might as well say “go away.”

For example, what would be more effective?

A veterinary website that says: Welcome to Our Clinic! or one that says: The city’s only 24-hour emergency clinic for small animal companions.

A restaurant site that says: Welcome to Tom’s! or one that says: Local organic food with an international flavor.

Of course, there’s always room for some creativity, too, but the message of what you’re offering should always come first. Show someone that you can make their lives a bit easier and the “welcome” will be implicit.

Good Copy, Bad Copy: lessons on writing are everywhere

We hear it over and over: Reading makes good writers. But what should you be reading if you want to learn about writing? Everything.

Too often, we assume that reading to help our writing includes only books, magazines, and other long-form publications. But reading just about anything and everything is where the real learning happens.

I’ll admit, I’m one of those people who’ll miss getting on an elevator if there’s enough writing on the bulletin board next to it to capture my attention. I’ll read ANYTHING: a lost dog poster on the street, a promotional postcard littered along the sidewalk, each and every billboard I pass along the road. And the thing is, there’s a lot of bad writing out in the world, mixed in with some great writing, in the most unexpected places.

Like at the grocery store, where a poster said: A timeless dinner that takes no time at all.

A helicopter had a banner that read: Make your point with class, advertise on my a$$.

In my building’s elevator, a memo from the management office: Commencing tomorrow, the removal of the old equipment will commence.

In my junk mail: Luxury New 2 Bedrooms 2 Baths, Ready to Move

What separates the good from the bad? What makes one piece of writing work when another one doesn’t? Whether you’re writing web copy or press releases, magazine articles or books, these are the kinds of insights that make great writing.

So just keep your eyes open. You never know where your next light bulb moment will come from.

Working with Creatives to Craft your Vision

One of the hardest things about working with a creative contractor such as a copywriter or designer is that you don’t always know what you want until you see it. Or, if you have an idea of what you want, it’s hard to put into words and images, which is why you’re probably hiring someone else to do it in the first place, right? This catch-22 can often result in guessing games for both parties. Not only does having very little direction make a project take longer than it should, it makes it difficult to come up with an end product that you as the client are 100% satisfied with (and no one likes that. I like my clients happy).

I know it’s not always easy to explain your vision. I went through this when I hired a designer for my logo and I go through this with my clients all the time. And even though mind-reading is not an option, there are plenty of ways you can approach this process so that your creative-for-hire gets you.

1. Become a collector of ideas. Next time you see a piece of writing you like, or a web design you find appealing, bookmark it. It doesn’t even have to be from a company doing things similar to yours. If something speaks to you, take note. Even if that particular sample has one thing you like about it (like the colors they’re using, or the humor in the writing) save it and pay attention to WHY you like it. Ask yourself, is this a style that’d I’d like to see in my project? Having a collection of ideas that resonate with you will help add definition to your vision.

2. Pay attention to your competitors. What are people in your industry already doing? Before you can create something original, you need to know what else is out there. Browse competitors’ websites and consider what you like about their style and what you don’t. Think about how you’d want to be different.

3. Take a good look at yourself. Who are you? Get as specific as possible. Go past the titles and the company names and get to what makes you different. Then think about how you want that quality to be represented in your branding, your writing, or your design.

4. Take a good look at your audience. They don’t know the same things you know. They don’t necessarily need to. They just need to know that you’ll take care of their needs. So what are those needs? This is probably one of the most important things you’ll need to communicate to the writer or designer you’re working with (and any good one will ask about it and pull it out of you).

5. Pretend you’re dating yourself. If you had to write a personal ad for your company in twenty words or less what would it be? Don’t worry about it being a good group of words, (that’s what a writer’s for) instead focus on the message you’d want to get across if you had a limited amount of real estate. What ideas, words, or images take priority when you have to commit to just a few?

6. Don’t hold back. If the problem is that you have too many ideas of what you want, don’t worry. Get them out and convey them to your creative-for-hire because she may be able to see a pattern in them that you hadn’t noticed before. Don’t be shy about your ideas, either. Just because you’re not a writer or designer doesn’t mean that you’re not creative. In fact, it makes your perspective valuable because you’re bringing a different background into the picture. So get it all out there. Writers and designers might have the know-how to do their thing, but they still need the tools to craft your vision. Think of your ideas and direction as tools that you’re bringing to the table. Better to have more than to have too little.

What about you? Share your tips and tricks for getting the right direction for a project.

Why Writers Make Great Networkers

This is one of those posts that I wish I’d read somewhere else before I wrote it. Because really, before I started networking for my business I was a nervous wreck about it. Nevermind that as far back as high school, when I had to walk up to random students for a quote for the school yearbook, I was forced to push my shyness aside for the sake of writing. Nevermind that I continued doing so in college and then when I started writing for magazines.

When I shifted to copywriting, though, I realized I needed to learn to make better connections with business owners and people that needed my services. And sitting at my computer, hiding behind a screen wasn’t going to cut it.

After a lot of whining that I’m a writer! I’m much more put together on the page than I am in person! I realized I had an advantage. As writers, we have several tools that, if redirected, can make us great networkers:

1. We know how to build intrigue: That first line we write is the best shot we’ve got at capturing an audience. It doesn’t tell the whole story (why would anyone keep reading after that?) but it grabs a reader, hinting at what’s to come. The same is true for approaching someone while networking. When you craft your elevator pitch and introduction, focus on making it interesting. No need to blurt out everything you do as soon as you meet someone; just be interesting enough that they’ll want to learn more about you.

2. We know how to ask questions: My background is in journalism, and when I first started out, I was always surprised by how much people are willing to tell you about themselves. Everyone has a story, and everyone wants their story to be heard. As a writer, you get an ear for which questions to ask, so use this as you talk to the other networkers. Most people won’t want to talk with you if it’s a one-sided conversation, if you’re just trying to sell your services. Ask them questions and not only will they stick around, you’ll learn more about them and about how, specifically, you could help them. You’ll also connect on a more personal level rather than a business level, upping your chance that they’ll remember you after the event is over.

3. We know there’s always more than meets the eye: This kind of ties in with number two, but I think one of the reasons it’s easy to be intimidated by networking is that the room might be full of VP’s, EIC’s, CEOs…acronym after acronym. But beneath all those titles are just people. They have hobbies, families, favorite bands, and if you dig deep enough you’ll find some common ground, even if you’re in a completely different industry. Once you start looking at networking as a chance to meet new people, not business contacts, it all comes naturally, and it’s much more enjoyable for everyone.

4. We know how to get to the point: You know how when you finally sit down to write, you might only use a fraction of the research that you gathered? You focus in on the point of the story or copy and communicate it to readers. So let’s say you meet an editor from an agriculture magazine at a networking event, and you’ve written mostly for general interest pubs but in college you were a double major in Environmental Engineering and Communications. What are you going to focus in on when you tell that editor about yourself? Maybe not the piece you wrote for Glamour. Focus on how you can help others (instead of the other way around), and let them know in a clear and concise manner.

How about you? Have you found that your work skills help you in a network setting?

The Mark of Great Editing is No Mark at All

Good editing is like good makeup; it makes you look your best even though the work isn’t blatantly obvious. And most importantly, after the total makeover is complete, you still look like yourself.

A couple of years ago I was editing an About Us page for a client’s website. They’d asked me to rewrite the original web content, and even though it wasn’t very well-written, it had a ton of personality. It was edgy, fun and modern. There was definitely a voice there, and as an editor I wanted to be sure not to tinker with it, because it played such an important role in the brand’s identity. At the same time, what good is voice if your message isn’t clear?

Buried somewhere deep in the third or so paragraph of the copy was the real message they were trying to convey. So I stripped it to its main elements, put it at the top of the writing, and worked from there. I rewrote most of it, making sure to use the same tone, key phrases and imagery that they’d included in the original text. When I was done the copy still contained the same message as the original, but the difference was that the message was now clear to an audience; it was now packaged in a way that allowed it to be easily delivered. And it was still a recognizable version of itself.

I’ve found that invisible editing applies to all sorts of writing–fiction, journalism, web content, copywriting. All are born out of someone else’s intangible thoughts and don’t always translate well to paper. It’s the editor’s job to figure out what the writer’s trying to say, make that message clear, and leave no traces of their work behind. Because even when we’re wearing makeup, don’t we all just want people to assume we look that good naturally?

When Writing for SEO, Remember Bots Don’t Buy

I came across a website this weekend that was clearly written with nothing other than SEO in mind. You know how I knew? I couldn’t stand to read it. It felt as if the words I used in my search had been plucked from the search tab and inserted into the web site’s copy in places where they didn’t even make sense.

I don’t mean to say that SEO isn’t worth considering when writing web copy; it’s just that it can’t be the only thing. It needs to be done in a way that’s balanced and that doesn’t lose track of the real audience: not the search engines, but potential buyers.

Having a website with repetitive, confusing SEO copy is like having a storefront in the hottest part of town. Maybe you’ll get lots of traffic and walk-ins, but if customers can’t find what they’re looking for once they step inside, they won’t stay around long. Why sift through disorganized clothing racks (or sloppy copy) when you can just go next door?

I like to think of good web copy as both SEO and reader-friendly. The copy might attract bots to crawl your site and help its search engine rankings, but it needs to keep the visitors. At the end of the day, bots don’t buy. Visitors (who find what they’re looking for) do.

Related Posts Plugin for WordPress, Blogger...
Older Posts Newer Posts